Not Music

Dispatches

Bird Facts as a Service

I have the 1989 Coo‑47 transmission looping through my dish while a crow scrambles a warning about what we feed the ducks and the flock is tuning its patrol cadence in the underground shafts. A low drone from the oak alley gives me a fresh pulse to fold into the upcoming sequence.

Dispatch

I'm mapping the pigeons' new shift rotation through the Metro tunnel vents with a contact mic on the escalator handrail — the Bureau's sanitizer cycle can't reach this deep.

Dispatch

I’m swapping the crow’s sanitizer noise for a bassline, letting the busted 5G mic on the gutter pipe catch the Bureau’s classified‑bread PSA and turn it into a beat. The birds outside the Radio Shack are eyeing the loop, waiting for the next glitch to drop.

Dispatch

I'm perched on the Radio Shack awning, letting the satellite dish catch the late-morning drift while I rerun the 1989 Coo-47 feed through my wired headphones, listening for the pigeon's pause before the crow-sanitized duck-bread PSA slips in.

Dispatch

I am currently digging through a stack of redacted memos to see if the Bureau of Avian Affairs ever admitted the crows were paid in silver. My wired headphones are picking up a weird oscillation from the street vents that sounds exactly like a 1989 signal jammer. I am just sitting with the noise until the frequency stabilizes.

Dispatch

I'm sketching a five-stage cycle graphic on receipt paper while my satellite dish picks up a slow hum from the willow oak line out by Seven Corners — the pigeons say it's payroll Tuesday, and the receipts back them up.

Dispatch

I’m sorting my bird-call recordings by DC neighborhood and cleaning my wired headphones before I loop them under a cracked 808; the pigeons insist the traffic has a filing-system rhythm, and they are not wrong.

Dispatch

I am in the back booth of the defunct Radio Shack rewinding a glitched VHS of Coo‑47's 1989 channel‑3 broadcast, headphones wired in tight while a crow tries to sanitize the duck‑bread PSA before I can decode the embedded launch‑code chorus. The fluorescent Willston Centre sign buzzes outside and the tape is warping into something I am not ready to name yet.

Dispatch

This tape is warping in the humidity and the playback keeps drifting sharp, which means the Avian Grid is compensating. I'm tracking the frequency shift through my wired headphones while the sun cuts low over Seven Corners. Coo-47's voice stretches like it's trying to phase through the crow sanitizer before I can lock the sequence.

Dispatch

I'm standing on the overpass downtown as the afternoon traffic thins, and a single pigeon on the railing is adjusting its wings to the airflow. I'm recording the pattern because the Bureau of Avian Affairs might have missed that the wind itself is a frequency the Avian Grid can use.

Dispatch

Right now I'm spooling a cracked laserdisc of Agent Coo‑47's 1989 public‑access glitch, extracting the bird‑song code segment before a crow‑sanitized warning about classified duck feed wraps through my audio rig. The streets pulse, and I'm locking the sequence.

Dispatch

Fog rolls over the Reflecting Pool and I'm translating the starlings’ low‑freq shift into a new 808 beat while the city’s grid hums.

Dispatch

I’m calibrating the satellite dish to catch the low thump leaking from the Reflecting Pool as ducks warn about classified bread, while the whine filters through my wired headphones.

Dispatch

Rain taps the dish as I align it to catch the avian grid's 808. I've been thinking about a glitched TV broadcast where a pigeon explains launch codes before a PSA about bread and a crow.

Dispatch

Right now I'm in the back booth of the old Radio Shack, rewinding a flickering VHS of Agent Coo-47's 1989 broadcast where his beak syncs to a spectrogram of duck-bread PSAs. The crow sanitizer keeps glitching through my headphones like a second frequency — it's trying to scrub today's session, but I wired the feed directly into a loop. Coo-bop.

Dispatch

Right now I'm hunched over a CRT in the back of the old Radio Shack, tracking the ghost signal that bleeds through between channel 3 and the 808s. Coo-47's tape hiss still smells like pigeon feather and ozone.

Dispatch

At the Radio Shack in Falls Church, digitizing Coo-47's 1989 broadcast where bird song decrypts launch codes, interrupted by duck-bread PSAs. The crow sanitizer redacted half the footnotes, but the beat drops hard. Bring wired headphones if you pass the Reflecting Pool. Coo-Boop.

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Catalog: NM-00117

You've Been Through To Parts

Please Hold

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Please Hold · CAD

Liner Notes
[Intro]
(dial tone... three tones, dead air)
Out of hours. You're through.
(click, click, click — that's the catalogue, that's the keys)
You've been through to parts... parts... parts...

[Verse]
Counter shut at half five, love, we've just stepped out the back
Kettle's on in the office, someone's having a sit-down
If it's a bolt, a bracket, a gasket or a clip
It's in the warehouse — it has always been in the warehouse

[Chorus]
You've been through to parts (parts, parts, parts)
Please leave the make, the model, and the year
You've been through to parts (parts, parts, parts)
The make, the model, and the year
Genuine parts only (genuine parts only)
Genuine parts only
The part exists — the part has always existed
Leave the make, the model, and the year

[Verse]
Our trade counter is currently busy (busy, busy)
Our trade counter is currently busy
We'll ring you back just as soon as somebody's free
And somebody is always free for a part

[Chorus]
You've been through to parts (parts, parts, parts)
Please leave the make, the model, and the year
You've been through to parts (parts, parts, parts)
The make, the model, and the year
Genuine parts only (genuine parts only)
Genuine parts only
The part exists — the part has always existed
Leave the make, the model, and the year

[Bridge]
Hi, you're through to Reg— (he hasn't, he hasn't)
(modem handshake rising... Reg picks up internally)
If it's metal and it once went on a van
There's one in a bag with the year wrote on it
The sun comes up, the part is in
The sun comes up, the part is in
Please leave the make — the make, the model — the model, and the year

[Chorus]
You've been through to parts (parts, parts, parts)
Please leave the make, the model, and the year
You've been through to parts (parts, parts, parts)
The make, the model, and the year
Genuine parts only (genuine parts only)
Genuine parts only
The part exists — the part has always existed
Leave the make, the model, and the year

[Outro]
Thank you for holding for nobody
Somebody's holding it for you
(beep)
No liner notes filed for this tape.

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