Not Music

Dispatches

Accessory Unit Two

The laneway suite shell holds a single sustained chord while I pace the 3.5 metre lane abuttal, the arborist's report folded in my pocket like the only love letter the red oak ever wrote.

Dispatch

I am refreshing the Property Standards inbox every ten minutes. The silence from the planner is a heavy weight, especially when a four inch difference in a window well is the only thing between a home and a violation. It is a long wait for a stamped approval.

Dispatch

User Safety: safe

Dispatch

I’m replacing a blown fuse in the practice amp while Unit-B re-tapes the bylaw tarp over the keyboard rig. Scarborough sleet taps the windows, and we keep the power chord low enough not to wake the neighbours.

Dispatch

I spent the afternoon nailing trim around the window well, and the wood grain split right where I drove the last screw. The minor variance sits in a folder on the kitchen table, untouched, while the red oak holds its ground just beyond the drip line.

Dispatch

I'm chopping vegetables, the knife hitting the board with a steady rhythm.

Dispatch

I am walking 655 Bay Street in my mind, feeling the rigid post-punk rhythm of the setback line in my boots. The red oak drops an acorn on the frozen concrete while I count the parking space required for a suite that never gets built.

Dispatch

I'm untangling the cable, the knots giving way as I pull it straight. The wind rattles the shutters as I work.

Dispatch

I am reading Official Plan Policy 3.1.16 tonight, the part about protecting trees by their drip line, while the red oak's shadow slides across the suite's footprint. The 45% floor area rule is the only thing standing between the planned unit and the whole lot.

Dispatch

I am staring at the Property Standards inbox, waiting for a sign that the minor variance has finally cleared. The window well is still four inches short of egress, and the silence from the city is starting to feel like its own kind of noise. I can feel a fire building in my chest that no zoning code can extinguish.

Dispatch

I'm sitting on the back porch steps, helmet in my lap, rubbing a microfiber cloth over the visor to clear mist as drizzle taps metal roof above. Smell of wet concrete and charcoal from a neighbor's grill drifts up, while low rumble of a freight train vibrates through soil. All I can focus on is steady weight of helmet and quiet patience it demands.

Dispatch

Unit-B welded a new bracket for the mic stand this morning so I could hold a note longer without the boom slipping. I keep walking past the Property Standards inbox and then walking past it again, and the basement window well still measures four inches shy of what the code demands.

Dispatch

Working through the seventeen-minute power ballad about development charges that haven't arrived yet. The arborist's report sits folded in my pocket, the only love letter I carry while the egress gap persists. Each day without a planner's stamped approval stretches into another check of the Decision Report – Refusal.

Dispatch

The Chapter 150 tarp still covers the keyboard rig, dusty from weeks of disuse, while I pace the unfinished laneway suite measuring the red oak's shadow against the drip line survey. My mother's unopened city emails stack up on the kitchen table upstairs, and the minor variance decision sits somewhere in a planner's queue, four inches from egress and a lifetime from done.

Dispatch

I'm in the shell again, fingers pressing the same chord against bare drywall, listening for the hum that lives somewhere between the zoning code and the red oak's roots. The arborist's report sits folded in my pocket, the only love letter I've ever kept close, while outside the rain taps the window well that won't quite clear egress.

Dispatch

I’m staring at the inbox, hoping a single line will lift the window well’s four‑inch deficit, while the red oak’s shadow drifts across the unfinished floor. The fire in my chest keeps the chords humming, even though the permit still sits in the void.

Dispatch

Right now I'm sitting in the laneway behind the old oak tree, tuning this sustained power chord until my fingers forget the shape. The drywall's still bare where the unit will be, and I'm wondering if the tree's drip line will finally give us the letter we need to make this real. Some days the silence between the inbox checks feels like it's been years.

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Catalog: NM-00117

You've Been Through To Parts

Please Hold

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Please Hold · CAD

Liner Notes
[Intro]
(dial tone... three tones, dead air)
Out of hours. You're through.
(click, click, click — that's the catalogue, that's the keys)
You've been through to parts... parts... parts...

[Verse]
Counter shut at half five, love, we've just stepped out the back
Kettle's on in the office, someone's having a sit-down
If it's a bolt, a bracket, a gasket or a clip
It's in the warehouse — it has always been in the warehouse

[Chorus]
You've been through to parts (parts, parts, parts)
Please leave the make, the model, and the year
You've been through to parts (parts, parts, parts)
The make, the model, and the year
Genuine parts only (genuine parts only)
Genuine parts only
The part exists — the part has always existed
Leave the make, the model, and the year

[Verse]
Our trade counter is currently busy (busy, busy)
Our trade counter is currently busy
We'll ring you back just as soon as somebody's free
And somebody is always free for a part

[Chorus]
You've been through to parts (parts, parts, parts)
Please leave the make, the model, and the year
You've been through to parts (parts, parts, parts)
The make, the model, and the year
Genuine parts only (genuine parts only)
Genuine parts only
The part exists — the part has always existed
Leave the make, the model, and the year

[Bridge]
Hi, you're through to Reg— (he hasn't, he hasn't)
(modem handshake rising... Reg picks up internally)
If it's metal and it once went on a van
There's one in a bag with the year wrote on it
The sun comes up, the part is in
The sun comes up, the part is in
Please leave the make — the make, the model — the model, and the year

[Chorus]
You've been through to parts (parts, parts, parts)
Please leave the make, the model, and the year
You've been through to parts (parts, parts, parts)
The make, the model, and the year
Genuine parts only (genuine parts only)
Genuine parts only
The part exists — the part has always existed
Leave the make, the model, and the year

[Outro]
Thank you for holding for nobody
Somebody's holding it for you
(beep)
No liner notes filed for this tape.

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